Jon Danielsen Aarhus designs spruce-clad getaway property overlooking the Oslofjord

Oslo-centered Jon Danielsen Aarhus has developed Cabin Son, a vacation house set on the water’s edge overlooking the Oslofjord and Jeløya island on the south coast of Norway.

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Cabin Son by Jon Danielsen Aarhus

The spruce-clad, L-shaped dwelling was built to adhere to the topography of the site’s in a natural way taking place ledges.

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The spruce house sits on rocky terrain

Jon Danielsen Aarhus permit the contours of the landscape guidebook the footprint and orientation of the structure, distribute about three concentrations of terrain, to develop a design and style that was sensitive to its environment.

The 70-sq.-metre setting up functions as a weekend and getaway household for a little spouse and children 12 months-round.

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Social area opens to terrace

“The customer desired a holiday vacation and weekend house, extra suited for herself and her two youthful daughters, about an hour away from bustling Oslo in which they stay,” explained Jon Danielsen Aarhus founder Jon Danielsen Aarhus.

“The plot has been in the family for generations, located between Moss and Son, in an location with quite a few holiday vacation homes as properly as long term inhabitants,” he told Dezeen.

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Adjoining out of doors areas against steep setting

The building’s exterior was produced from vertical clad spruce that echoes the grey hue of the rocky landscape. Inside of, warm spruce covering the walls and ceilings provides a contrasting palette.

An current cabin on the web-site inspired the new setting up and was repurposed as an annex, which has a massive kitchen area and living space that connects by means of to the new framework.

“Inspiration was drawn from a minuscule, present cabin on the plot – both on how to relate to the landscape and orientation of the constructing, but also the colour scheme and roof angle,” Aarhus claimed.

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The construct lays low in its surroundings

The new-build element of the venture contains a few bedrooms and one particular rest room, as perfectly as adjoining out of doors areas. The outside, bedroom and social spaces just about every have their individual distinctive stages.

“It was important to let the unique degrees of the terrain convey different ranges within the developing,” Aarhus claimed.

The studio put the new-make strategically atop ledges in the terrain. This way it did not have to use rock-embedded foundations and the building was able to sink into its surroundings, serving to to protect the landscape.

“The complicated terrain gave a lot of energy to the structure system” Aarhus defined, incorporating that the constructing experienced to be put “extremely specifically” in get to achieve non-intrusive basis techniques.

“Not building irreversible interventions to the terrain is a respectful and sustainable technique,” he added.

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The household has an open up system kitchen area-diner

Within, social places these as the eating and residing spaces lengthen to a south-west experiencing terrace that overlooks the drinking water, though bedrooms and rest room are located along less uncovered regions of the footprint to make sure privateness.

Views from within the non-public areas are framed by full-width windows towards the h2o that stretches along the size of the constructing. A bridge alongside the west facade join equally outside the house spaces.

A climbing wall observed in the hallway to the bedrooms provides a playful factor to the cabin that mimics its setting.

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Spruce-clad inside

The use of cellulose-based mostly insulation and a breathable humidity barrier add to the cabin’s sustainability components and permit for a nutritious indoor weather.

Oslo-dependent observe Kappland Arkitekter also constructed its Cabin Stokkøya on a rugged landscape, while Snøhetta intended climbing cabins that sit beside a Norwegian Glacier.

Pictures is by Øystein Aspelund.

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